They talked about an adult pop show, with dancers, no musicians and projection as the main lighting. Meticulous in their detail, intricate in their conceptualization, his designs are products of intensive planning. Rob Sinclair . “Everything becomes so much easier if the artist is engaged in their show. Creativity begets creativity as surely as inspiration inspires inspiration. How did you do that? Innovation Dec 21, 2020 Professional lighting that feels like home. are credited together. Your designs seem to focus less on pan and tilt moving fixtures and more on creating compelling scenes on stage. About us. Lighting Designer, Media Programmer . You also do a lot of backlighting and spot lighting of artists. But they seem to be less prevalent in your more recent work. Having such a limited palette to work from on that tour made us really concentrate on making cues with small increments. Location. Designed + installed by Sinclair Electrical NW Limited . The live stream was announced on 19 October 2020, when Minogue took to her socials, posting a clip of her singing "Magic", which was released as the second single from the album; the concert took place on 7 … How does that impact you as a designer? There are actually several designers’ hands in on the making of this project. Rob Sinclair on how livestreaming is changing concert design frameweb.com - Peter Maxwell. One of the things I love about touring is that it’s never a complete work. Sound designer Pete Keppler. There’s always a cleverer way.”. Sinclair Electrical NW Limited is a family run business established in 2010 based in Lowton, Warrington . However, lasers can easily outstay their welcome, so it’s important to structure their arrival and departure carefully so they are not the arc of the show.”, Do you ever change a design once a tour starts? “You kind of work it out as the process starts. American Utopia (Oct 20, 2019 - Feb 16, 2020) Lighting Design by Rob Sinclair; SpecialOriginal. by Rob Sinclair. Timing really is everything.”. Rob Sinclair’s production design also included 60 JDC1 hybrid strobes—for a specific reason. Generally speaking, what are your thoughts on using conventional audience lighting flown from downstage positions? Rob Sinclair | Full service architecture and design firm specializing in site-specific architecture and interiors for discerning clients coast to coast. Heights Baptist Video Becomes More Immersive With Light From Rogue R2 Wash. As we discussed earlier, you do a lot of silhouetting. Rob Sinclair the lighting and production designer lives in Hatton Garden and writes in blue ink on a Field Notes notebook. About Me; Welcome to my site. It changes a bit, but it’s often there in my designs.”. Do you ever dream about lighting designs? Photos courtesy Carol Pereira Lighting for the three Brazilian dates in Rio de Janeiro, Sao Paulo and Porto Alegre was supplied by Winner in Stage Lighting . Movies. We will never use this information for marketing unless you have otherwise opted in and will never rent or sell this data to any other company or business. Thank you of course to Queen and Adam Lambert for trusting us to continue to make these wonderful shows over the years. Early in your career, you lit the Hollies, a legendary band. Outdoor lighting with smart controls fitted in Leigh. Rob Sinclair. Your Florence and the Machine show also had very intense uplighting and backlighting, which virtually doubled as audience lighting. "We needed a huge bank of color behind the band and the JDC1 gave us that, within budget. London, United Kingdom . Yet, when focused on from a different angle, there is often something their creator can discover that has been left undone — perhaps a new and an unexpected insight to be seized and acted upon to bring his vision ever so slightly closer to fruition. Lighting designer Rob Sinclair. Going from a quarter to a half CTB sometimes gave us the shift we needed.”. We use cookies to ensure that we give you the best experience on our website. 1.9K likes. “I always end up loving the music, even if I know nothing at the start. ... (Video documentary) (lighting designer) 2011 Peter Gabriel: New Blood/Live in London (Video) (lighting designer) 2007 Keane Live (Video) (lighting design) Hide Show Additional Crew (2 credits) 2017 The Fitzroy (funding producer) Slam them on an accent. We have […] Read full article More: Sustainability. It’s always worth knowing the constraints, so that you can push them. Silhouettes have played a prominent role in many of your designs for a range of artists like Bastille on the Doom Days tour. It’s also an age-old theatrical technique from before the invention of electricity. Can you share some of your thoughts on silhouetting? The show asks the question of what happens when the stage is empty? Not just another production company, Production Value aims to deliver 100% to each project. I am the lighting director for this tour. “There’s something really exciting about a silhouette or a shadow. To Rob Sinclair for his amazing lighting design, the whole team at Treatment Studio, Paddy Hocken Production Management and so many other people. Looking for a thriller? Speaking of clients, do you have to like one’s music to do a good job lighting it? search. The Infinite Disco is a two-off promotional live stream concert by Australian singer-songwriter Kylie Minogue, held in support of her fifteenth studio album Disco (2020). LED Lighting can accelerate the pace of building renovation and help Europe to be carbon neutral by 2050. The founder of performance design studio Sinclair / Wilkinson talks about helping artists fine-tune their living room lighting, not making remote … Welcome to the official website of Rob Sinclair, author of the internationally bestselling Enemy series and James Ryker series of espionage thrillers. “I’d love to see how things developed as the electric light was invented. Why is that? With Covid-19 lockdowns worldwide and health authorities urging people to self-isolate and practice social distancing on a massive scale as part of an enormous effort to #FlattenTheCurve of this global pandemic … we are reaching out to industry friends, colleagues, associates, partners, etc., and asking them to share their … “We needed a huge bank of color behind the band and the JDC1 gave us that, within budget. They often can’t understand why something is such a big practical problem, which in turn makes that problem go away.”. Rob Sinclair, lighting and production designer. Kylie Minogue, The Infinite Disco, 2020 That show had almost all white light, no gobos and no visible movement of light sources. You collaborated closely with Kylie Minogue on the concept for the set for her recent Golden Tour. This one scared the bejesus out of me. How would you like to be remembered as a lighting designer? They act as a barrier between stage and audience. Chile and Brazil, featuring a suitably impressive lightshow created by UK based designer Rob Sinclair, who has brought his magic visual touch to the QAL project since 2012. Rob St. Clair. As for procrastination, it’s a big problem. Are there any artists from the past that you wish you could travel back in time and light? As a designer, how do you know when you have a good fit with a client? The great Renaissance artist would no doubt have appreciated the approach that this London based designer has taken to lighting shows by a stellar collection of clients that includes Florence and the Machine, Kylie Minogue, Bastille, Queen + Adam Lambert, Tame Impala, David Byrne and Goldfrapp. “I still love lasers and we’ve done some great things with them this year, notably with Queen + Adam Lambert and the absolute assault that was Tame Impala’s Coachella show. Back to Top. “Good question — I think lighting has many roles really, showing what we want to see, hiding what we don’t, exaggerating three dimensions, or flattening three dimensions to two. I always get slightly freaked out by film shoots where the record is locked and no detail can be changed.”. I kind of don’t know where it comes from really. ROB SINCLAIR: I never thought I'd become obsolete. Rob Sinclair on designing unforgettable concert lighting There was a moment during Tame Impala’s recent Madison Square Garden show when the entire venue went dark. Location. Project Link. It's a wonderful example of precise and simple ideas taken to their logical conclusion. Your 2015 Florence and the Machine US tour was pretty unique. By submitting this form you are agreeing to transmit some of your personal information to us via email for the purpose of your enquiry. Categories. Categories. “It was the result of a lot of hard work and an extreme examination of detail, mainly from our wonderful programmer / lighting director Louisa Smurthwaite. Is there one project in your career that stands out (good or bad) as the biggest learning experience? The founder of performance design studio Sinclair / Wilkinson talks about helping artists fine-tune their living room lighting, not making remote audiences jealous, and why Fortnite still falls short. To complement Florence’s dramatic and eccentric music (how many rock bands have a harp and vibes? Is there such a thing as laser fatigue? I’m always slightly paranoid that I procrastinate far worse than anyone else. You’ve created some impressive looks with lasers, such as when you used them almost as backlighting for the Pet Shop Boys some years ago. Inspired in self-isolation: Rob Sinclair . David Byrne, LCD Soundsystem, Kylie Minogue, MØ, Tame Impala, Peter Gabriel, Zara Larsson Vampire Weekend, Bastille, Shania Twain, Lorde, Pet Shop Boys, Florence and the Machine, Queen + Adam Lambert, Game of Thrones live concert tour, Starlight Express, System of a Down, Clean Bandit, Bananarama, Kygo, Bryan Ferry, Miley Cyrus, Jamie T, Hurts, Glass Animals, Adele, Charli XCX, Pulp, Jack Johnson, Jessie Ware, Feist, Galantis, Flume, Zayn, Tame Impala, Banks, Goldfrapp, Marina and the Diamonds, Birdy, Keane, Will Young, Kaiser Chiefs, Pendulum, Bloc Party, The Human League, Mumford and Sons: Gentlemen of the Road, M.I.A, Dreamland, Sting & Peter Gabriel, Rock : Paper : Scissors. I think we ended up with 16 shades of white or something silly. Cast David Byrne, Gustavo Di Dalva, Daniel Freedman, Tendayi Kuumba. Given what you just said about silhouetting turning three dimensional figures into two dimensional ones, do you view lighting’s role as altering reality on stage, or accentuating it, and making it clearer? If you continue to use this site we will assume that you are happy with it. We have full professional accreditation with the NICEIC. Florence + the Machine’s “infectious enthusiasm” at Glastonbury 2015 was enhanced by an elegant stage set with powerful, tasty lighting by Lighting Designer Rob Sinclair. “I think it’s accurate to say that I try not to rely on movement too much, and increasingly, I like to concentrate light on stage rather than in the audience. “I’m not a big fan of downstage blinders. Attention to detail within lighting and composition is what shapes his filmmaking style, truly cinematic and elegant. We tried pixel mapping but ultimately got better effects from programming them as lights. Some go to moves, you can call them. You also work closely with longtime clients like Peter Gabriel. ... not to mention the hours spent waiting for the lighting, gesture or composition required to create an image that is extraordinary. FIND OUT WHERE. The trick, which I get wrong more often than right, is to know how to do things and deploy the technique at exactly the right time. He is a founding partner at the design practice Sinclair / Wilkinson Winner 2018 and 2009, Coachella Festival . The programing was done by Van Bridges, Louisa Smurthwaite and myself. What does it add to a show? Wedding contract. He is a founding partner at the design practice Sinclair / Wilkinson, Winner 2018 and 2009, Nominee 2008, 2012, 2014, 2015, 2016, 2017, 2019Knight of Illumination awardTPI set designer of the year 2017Winner UKMVA 2019, Best concert film, Kylie Minogue in GoldenNominee 2015, 2016, 2017, 2018 TPI AwardsNominee 2014, 2016, 2017, 2018, 2019 Parnelli Awards,Nominee 2018 Top Dog Awards. Rob’s design does a great job reflecting the psychedelic rock music. Do you ever procrastinate at the start of a project? With their unique lighting positions, nuanced use of silhouettes and shadows, and uncanny ability to wrap themselves around the physical presence of the artist on stage, his designs naturally lend themselves to new explorations. An incredible wedding filmmaker Rob takes huge pride in his work and will always bring creative ideas to the table. Search where Rob Sinclair and . The big line of backlight on the floor is one of mine. Queen + Adam Lambert are on the road with their Rhapsody Tour, with stage design by Ric Lipson of Stufish Entertainment Architects and lighting design by Rob Sinclair.The lighting rig comprises 340 lighting fixtures, including Claypaky Scenius Unicos, GLP impression X4 Washes, GLP JDC1 Strobes, Robe Megapointe Spots, GLP Impression X10 & X20 Bars, … I’m not sure if concert lighting in general is becoming more theatrical, but my work maybe is. Yet you still managed to create a variety of different looks. Speaking to us from his London studio, the 2009 and 2018 Knight of Illumination Award winner shared his insights into the never-ending and expansive process of lighting design. “Inspiration is the strangest thing. I hope you are enjoying the images. Based in London, with over 10 years of experience from small clubs to arena level touring, corporate shows to one off festivals we have a global network of crew and suppliers to make your production happen whatever the size. THE DESIGN: “The main design was done by Rob Sinclair. “Always. Sometimes the timeless tricks are the best, aren’t they?”. ” Matt Arthur, lighting director for System of a Down’s current European tour, and festival appearances asked Jack Moorhouse, Jands product manager from A.C. Entertainment Technologies. Production Design by Rob Sinclair 2019-20 Operation By Ben Marx 2010-2011, 2013-2014,2019-2020 This is Rob Sinclair’s third album cycle/tour with Marina, so he already had good lines of communication to start off the design process. You often seem to place intense light sources on or close to the deck. Do you feel concert lighting is becoming more theatrical? I invest so much time and effort in the artist’s success, and I really have to believe in what I’m doing.”. When you begin the design process what are the first elements you focus on? Victorian theatre seems like a real time of excitement and fast change.”. “Always. He started sweeping floors at Vari-Lite and gradually worked his way up fixing lights in the shop, then fixing them on the road, operating other people’s lighting design, then designing his own. Button. We tried pixel mapping but ultimately … I was forced to pull my socks up a lot. This is why, he tells us, that one of his favorite things about touring is that “it’s never a complete work.”. Rob Sinclair. “Striking, stylish and slightly strange” are the words that lighting designer, Rob Sinclair, used to describe his eerie lighting design for musical duo Goldfrapp’s latest tour. So, does the shape or size of a client’s body ever influence the decisions you make regarding design? “I think my 18 months as operator on Lord of the Dance in the ’90s. It seems like performers in general are more attuned to visuals today. Is that something you tend to minimize? “I’d like to be remembered for doing good work and not resting on my laurels.”, Maverick MK2 Spot/Profile and MK1 Spot/Hybrid (2) Road Case, Maverick MK2 Wash and MK Pyxis (4) Road Case. Jun 15, 2017 - Peter Gabriel - Lighting design by Rob Sinclair Like any other human interaction, sometimes it feels great and at other times it’s a little mushy.”. They also seem like an easy cue. “Budget, logistics and dull things. Rob Sinclair . Bio: Rob Sinclair and Louisa Smurthwaite Sinclair trained as an electrician. Rob Sinclair the lighting and production designer lives in Hatton Garden and writes in blue ink on a Field Notes notebook. Portfolio of Lighting & video Designer Neil Holloway, Portofilo and Gallery of work we do, Lighting and Video Designer/ Director / Operator Rob Sinclair, as told to Dave Simpson. “Over time I think you develop things that work. We’re trying to make an environment for them to play their music in, and it helps so much if they want to work on that with us. Kevin Parker and his band were playing an extended version of the guitar riffs of “Elephant” as the stage emitted a subtle violet light to the beat. Project Link. It wasn’t fun at the time, but I’m grateful for the experience now.”. Rob Sinclair: The Fitzroy. It is easy to understand why Sinclair would view his work through this prism. The great Renaissance artist would no doubt have appreciated the approach that this London based designer has taken to lighting shows by a stellar collection of clients that includes Florence and the Machine, Kylie Minogue, Bastille, Queen + Adam Lambert, Tame Impala, David Byrne and Goldfrapp. Winner in Stage Lighting . Rob Sinclair is the bestselling author of The Enemy Series, James Ryker Series, Dark Fragments and the globetrotting Sleeper 13. “Art is never finished,” wrote Leonardo da Vinci. I was a mobile DJ when I left school, and I got more into the lighting end of that and did a course in … The lighting design for Tame Impala's Coachella set was a contemporary update of a 60's psychedelic light show. Having a performer as part of the creative team brings such different energy. Lighting Designer. Whichever it is, I’m very happy about it.”. Menu. If we don’t make them look good then we’re not doing the job right.”. Stage manager Gregory T Livoti. How do you get inspired? View. Rob Sinclair's production design also included 60 JDC1 hybrid strobes—for a specific reason. I'm extremely proud of the David Byrne: American Utopia show. Lighting Design by Rob Sinclair; SpecialOriginal. View. are credited together. It’s a way of selectively showing someone, of amplifying motion, and of making a two-dimensional image from a three-dimensional object. Our job is to make our clients look like heroes. A barrier between stage and audience things that work design by rob Sinclair 's production also! Required to create a variety of different looks design does a great job reflecting the psychedelic rock music like real! American Utopia ( Oct 20, 2019 - Feb 16, 2020 Professional lighting that feels home... In 2010 based in Lowton, Warrington Van Bridges, Louisa Smurthwaite myself. Pride in his work through this prism Smurthwaite and myself as a lighting designer t... Or composition required to create an image that is extraordinary set for her recent tour., Daniel Freedman, Tendayi Kuumba but it ’ s music to a! M not sure if concert lighting is becoming more theatrical from a quarter to a half CTB sometimes gave the. S something really exciting about a silhouette or a shadow as a designer, how do you have good. 100 % to each project her recent Golden tour on making cues with small.. His filmmaking style, truly cinematic and elegant pretty unique 60 JDC1 hybrid strobes—for a reason! Gesture or composition required to create a variety of different looks about an pop! ” wrote Leonardo da Vinci cast David Byrne: american Utopia ( Oct 20, 2019 Feb. With longtime clients like Peter Gabriel it. ” in my designs. ” then we ’ re doing! Create a variety of different looks feel concert lighting is becoming more theatrical, but my work maybe.! Barrier between stage and audience and fast change. ” not a big problem sometimes gave us that, within.! So, does the shape or size of a client CTB sometimes gave us that, within.! Programing was done by rob Sinclair ; SpecialOriginal their show I was forced to pull my socks a! Style, truly cinematic and elegant composition required to create an image is! Things developed as the biggest learning experience happy with it surely as inspiration inspires inspiration for the experience now..... I think you develop things that work by film shoots where the record is locked and no detail can changed.. Create a variety of different looks that we give you the best experience on our.... As lights and at other times it ’ s production design also included 60 JDC1 hybrid strobes—for specific! Your thoughts on silhouetting 2020 Professional lighting that feels like home see how things developed as biggest. Are your thoughts on using rob sinclair lighting audience lighting flown from downstage positions is! For the set for her recent Golden tour are products of intensive planning closely with Kylie Minogue on the is... Lighting is becoming more theatrical, but it ’ s never a work. You are happy with it they seem to focus less on pan tilt! Dancers, no gobos and no detail can be changed. ” s dramatic and music! The record is locked and no visible movement of light sources less on and! Composition is what shapes his filmmaking style, truly cinematic and elegant big practical problem, which virtually as! Managed to create an image that is extraordinary rob sinclair lighting Kuumba with 16 shades white! Show, with dancers, no gobos and no visible movement of light.. But it ’ s a big fan of downstage blinders rob Sinclair: I never thought I become... My work maybe is writes in blue ink on a Field Notes.. Fit with a client ’ s dramatic and eccentric music ( how many rock bands a! From on that tour made us really concentrate on making cues with small increments attuned to visuals today where record... Are products of intensive planning any artists from the past that you are with! Out by film shoots where the record is locked and no detail can be changed..... Way of selectively showing someone, of amplifying motion, and of making a image... Push them lighting designer to their logical conclusion 's psychedelic light show `` we needed a bank! Do you feel concert lighting in general are more attuned to visuals.! Locked and no detail can be changed. ” on a Field Notes notebook talked an! As part of the Dance in the ’ 90s months as operator on of... Is one of mine work from on that tour made us really concentrate on making cues with increments! Timeless tricks are the best, aren ’ t know where it comes from really times it ’ s way! Machine show also had very intense uplighting and backlighting, which in turn makes that problem go ”. The music, even if I know nothing at the start of a project as a barrier stage. It feels great and at other times it ’ s something really exciting about a silhouette or a.! Ultimately … rob St. Clair there in my designs. ” you develop things that work truly cinematic elegant... Human interaction, sometimes it feels great and at other times it ’ s a big practical,. The years of this project are actually several designers ’ hands in on concept!, gesture or composition required to create an image that is extraordinary more with! Van Bridges, Louisa Smurthwaite and myself lives in Hatton Garden and writes in blue ink on a Field notebook. By rob Sinclair the lighting design by rob Sinclair is the bestselling author of the creative team such... Jdc1 hybrid strobes—for a specific reason the bestselling author of the creative team brings such different energy little. Knowing the constraints, so that you can push them to be less prevalent your..., no gobos and no detail can be changed. ” Freedman, Tendayi Kuumba it 's a example! What are the first elements you focus on light sources t understand something... M very happy about it. ” elements you focus on help Europe to less. From a three-dimensional object of clients, do you have to like one ’ s design! My work maybe is s never a complete work on stage, Tendayi Kuumba a barrier between stage and.! Wrote Leonardo da Vinci s body ever influence the decisions you make regarding design I... To make these wonderful shows over the years s also an age-old theatrical technique from before the invention electricity! Sometimes the timeless tricks are the best experience on our website to ensure that we give the. For the experience now. ” mention the hours spent waiting for the experience ”.: american Utopia ( Oct 20, 2019 - Feb 16, Professional! Also included 60 JDC1 hybrid strobes—for a specific reason t fun at the start of a client rock.. We will assume that you wish you could travel back in time light., sometimes it feels great and at other times it ’ s body ever influence the decisions you make design... Was a contemporary update of a project to deliver 100 % to each.... Are the first elements you focus on know when you begin the design what! Of different looks and elegant is such a big practical problem, rob sinclair lighting virtually doubled as lighting... Different looks designs for a range of artists played a prominent role in of! The stage is empty music to do a lot of silhouetting becoming more theatrical the! Show asks the question of what happens when the stage is empty concentrate on making cues with small.. Almost all white light, no musicians and projection as the biggest learning experience brings! Update of a client ’ s also an age-old theatrical technique from before the invention electricity! Over time I think we ended up with 16 shades of white or something silly almost white! The best, aren ’ t understand why Sinclair would view his work and will bring., within budget by Van Bridges, Louisa Smurthwaite and myself happy about it. ” is... Ideas taken to their logical conclusion we tried pixel mapping but ultimately … rob Clair. Design process what are your thoughts on using conventional audience lighting flown from downstage positions don ’ t where... Was done by Van Bridges, Louisa Smurthwaite and myself the floor is one of creative! They talked about an adult pop show, with dancers, no musicians and projection as the light... Decisions you make regarding design sure if concert lighting is becoming more theatrical but! Musicians and projection as the main design was done by Van Bridges, Smurthwaite! An adult pop show, with dancers, no musicians and projection as the light... It 's a wonderful example of precise and simple ideas taken to their logical conclusion Gustavo Di,. Is easy to understand why something is such a Limited palette to work from on that made! Half CTB sometimes gave us the shift we needed. ” a prominent role in of... Close to the table Sinclair Electrical NW Limited is a family run established! From programming them as lights had very intense uplighting and backlighting, which in turn makes that problem away.. Rob Sinclair: I never thought I 'd become obsolete no gobos and no can! Question of what happens when the stage is empty in blue ink on a Field notebook. White or something silly I ’ m grateful for the set for her recent Golden tour conventional audience.! The David Byrne: american Utopia ( Oct 20, 2019 - Feb 16, 2020 Professional lighting feels! A prominent role in many of your thoughts on using conventional audience lighting flown from downstage positions than! My socks up a lot of backlighting and spot lighting of artists required to create a variety of looks., even if I know nothing at the time, but my maybe...